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Daily Program / Season #3
May 26 - Jun 26, 2026
Overview
"It's rare we get to see a live creative push and pull between changes in tools and the possibilities and constraints they offer artists to create art. This is a once-in-a-lifetime opportunity for many of the artists willing to experiment."
- Alejandro Cartagena
Details
The Fellowship Daily Program's first year was dedicated to AI video, documenting one of the medium's most rapidly evolving periods. With contributions from artists worldwide, creating unique works, the program stands as a comprehensive exploration of AI video's technical, aesthetic, and conceptual advancements from 2023 to 2026. Artists experimented boldly, from SORA to text-to-story narratives, significantly advancing their individual voices and demonstrating the medium's capabilities as a new tool for art making, storytelling, and visual experimentation.
Looking ahead, the Daily Program Season 3 will focus on a carefully selected group of artists whose exceptional potential we are committed to supporting through dedicated curation, mentorship, and promotion. As AI tools rapidly evolve, these artists are at the forefront, exploring new dimensions within their creative practice. The Daily Program Season 3 provides a platform for artists to share their evolving journeys, breakthroughs, and ongoing dialogues with both their peers and collectors.
Artworks:
Featured
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Jennifer Panepinto (QuantumSpirit)
Orare Nocte
2026
The Candentis collection is about enchantment and the feeling of getting lost inside an image. It pulls from nostalgia, suburban lights at night, timeline glitter, and the promise that life was always supposed to become something brighter, prettier, and more exciting. At its core, the work explores the tension between hope and reality. It is about chasing moments that feel bigger than everyday routine. Moments that feel almost like an altered state.
The visuals are built through layers of AI-generated variations, glitches, glow, texture, and repetition. I use the imperfections that naturally happen in the process and push them further until they start to feel intentional. The work becomes a collaboration between control and accident. Something artificial starts to feel emotional and alive.
At first, the images can feel dreamy, glittery, and perfect. But underneath that surface is a quiet awareness that perfection itself can be a kind of illusion. Life is messy. Emotions are unstable. The work holds both things at once. Beauty and unease. Escapism and honesty.
Light plays an important role throughout the collection because it feels alive but temporary. Like something you can only hold onto for a second before it disappears. These pieces are meant to pull viewers into the present moment while also asking them to think about why we are so drawn to idealized worlds in the first place.
Candentis is not just about pretty imagery. It is about the emotional space underneath it all. The comfort, the overstimulation, the longing, and the strange feeling that even if some of it is artificial, the experience can still feel real.