The art world has always absorbed new technologies. Photography was dismissed as mechanical reproduction until it entered museum collections. Video was considered documentation until it hung on gallery walls. The same pattern is unfolding now with algorithms and artificial intelligence. It is being canonised, slowly, then all at once.

Fellowship exists to shape this record. We canonise the most significant artists working with algorithms and artificial intelligence, placing their work in the collections and institutions that shape art history. We believe in institutional ambition and entrepreneurial execution. We believe the artists defining this medium deserve the same rigorous representation, career development, and placement that painters and sculptors receive.

We are building the permanent record of digital art.

Our roster represents the most significant artists working with code-based art. From pioneers who have shaped the field for decades to emerging voices defining its future, these are artists whose work belongs in museum collections and art history.

We have placed work in the permanent collections of MoMA, LACMA, Buffalo AKG, ZKM and SFMOMA. For artists operating at the highest institutional level, the question is not access. It is focus. At Fellowship, digital work is not a curiosity on the edge of a larger programme. It is the entire point.

We have no permanent gallery, and this is deliberate. We activate spaces that serve the work: intimate presentations in London, immersive installations in Marrakech, summer exhibitions in Sardinia, partnerships with venues purpose-built for digital art, and booths at Art Basel Miami Beach, Hong Kong, Paris Photo, Zona Maco and more. While traditional galleries pay rent on empty walls between shows, we appear where the work demands and the audience gathers.