Online
Group Show
Daily Program / Season #3
May 26 - Jun 26, 2026
Overview
"It's rare we get to see a live creative push and pull between changes in tools and the possibilities and constraints they offer artists to create art. This is a once-in-a-lifetime opportunity for many of the artists willing to experiment."
- Alejandro Cartagena
Details
The Fellowship Daily Program's first year was dedicated to AI video, documenting one of the medium's most rapidly evolving periods. With contributions from artists worldwide, creating unique works, the program stands as a comprehensive exploration of AI video's technical, aesthetic, and conceptual advancements from 2023 to 2026. Artists experimented boldly, from SORA to text-to-story narratives, significantly advancing their individual voices and demonstrating the medium's capabilities as a new tool for art making, storytelling, and visual experimentation.
Looking ahead, the Daily Program Season 3 will focus on a carefully selected group of artists whose exceptional potential we are committed to supporting through dedicated curation, mentorship, and promotion. As AI tools rapidly evolve, these artists are at the forefront, exploring new dimensions within their creative practice. The Daily Program Season 3 provides a platform for artists to share their evolving journeys, breakthroughs, and ongoing dialogues with both their peers and collectors.
Artworks:
Featured
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Francesco D'Isa
Shape
2026
Shape is a visual poem and the first work generated with Seedance 2, a generative model that opens different possibilities for movement , figures that shift, strain, and resist in ways earlier tools could not quite hold. The piece explores the ego as a form of gravity, a weight so thoroughly internalized that it reads as natural, as ground. The figures in the work cannot rise; they attempt it, and the attempt is the poem. Distortions and structural inconsistencies are accepted as they emerge, treated as part of the emotional texture.
Francesco D'Isa
Listen to an Audio Reflection from Francesco D'Isa discussing this work.