"Plans For Future Forms" was inspired by a drawing from the artist's childhood, where a simple two-legged chair was sketched. When shown to their father, an architect, he critiqued the lack of two legs, teaching a lesson in observing and understanding foreshortening and perspective—the ""correct"" and rational ways of seeing.

The collection represents an intentional exploration of process, with the ground serving as a critical starting point for exploring new forms. The use of grids and blueprints encourages a return to the origin of mark-making, inviting contemplation of the potential beauty. These elements do not just carry marks; they are intimately connected to them, supporting and framing them. The background thus transitions from a passive canvas to an active participant with its own agency, challenging the marks placed upon it and engaging in a dialogue with the mark maker.