Born in 1970 in Tübingen, Germany, Anselm Reyle embarked on a trajectory that would redefine the boundaries of artistic expression in the late 1990s, venturing into the realms of digital art with his pioneering Long Exposure Images. His oeuvre unfolded through large-scale abstract paintings, sculptures crafted from found objects, and immersive installations, all unified by the infusion of vibrant neon colors. A departure from traditional mediums, Reyle's exploration encompassed unconventional materials such as Mylar foil and mirrors, disrupting established norms within painting and sculpture. Central to his practice is a distinctive approach—utilizing found objects removed from their original functional contexts, subjecting them to visual alteration, and subsequently recontextualizing them within the realm of art.