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137 Reserve Club

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Pelle Cass

Crowded Fields II

Pelle Cass

Pelle Cass. Sunny Tennis at Harvard, 2018-2019

What I do is completely real, even though it involves tricks. Pelle Cass

“In the reshuffled time of this series of composite photographs, play prevails over competition, the stands are empty and the fields are full, and whole games are shown out of sequence. Most of the pictures were taken at lightly attended events at pools, fields, stadiums, and arenas around Boston, where I live.

To make the compositions, I put my camera on a tripod, take up to a thousand pictures, and compile selected figures into a final photograph that is kind of a still time-lapse. I change nothing—not a pixel. I simply select what to keep and what to omit. It all happened precisely as you see it, just not at the same time. Beyond matters of technique and subject matter, I hope to convey the eeriness of time, a feeling of Dionysian chaos, and a sense of play.”

— Pelle Cass

Selected Works

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Pelle Cass

Enzo Lefort, French Fencing Champion, 2018-2019

1.5 ETH

Pelle Cass

Three Meter Board from Side, Experiment, 2018-2019

1.5 ETH

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On SuperRare

Pelle Cass

Matthews Arena (Northeastern), Women's Hockey, 2018-2019

1.5 ETH

Pelle Cass

Regatta and Pleasure Craft ion Boston Harbor, 2018-2019

1.5 ETH

Pelle Cass

Harvard Heptathalon High Jump, 2018-2019

1.5 ETH

Pelle Cass

Harvard Women's Water Polo No. 2, 2018-2019

1.5 ETH

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Full Collection

The 137 Reserve Club is an invite-only group of collectors with first access to work from the world’s most iconic photographers. Sign Up to access the full inventory from this collection.

Artist

Pelle Cass

1954 (USA)

Pelle Cass is a photographer based in Boston.

He has exhibited at the George Eastman House, the Albright Knox Gallery, the New Mexico Museum of Art, and the Metamorf Biennial for Art and Technology in Norway, and has presented shows at the Abigail Ogilvy Gallery (Boston), Stux Gallery (Boston), Gallery Kayafas (Boston), and the Houston Center for Photography.

His work is owned by the Fogg Art Museum, the Addison Gallery of American Art, the Polaroid Collection, the DeCordova Museum, the Peabody Essex Museum, and the MFA, Houston.

Cass’ photos have appeared in books such as Photoviz (Gestalten), Deleueze and the City (Edinburgh University Press), Langford’s Basic Photography (Focal Press), The Beautiful Sparkle: Optical Illusions in Art (Prestel), and in magazines such as Beaux Arts (France), McSweeney’s, FOAM, GQ, Bloomberg Businessweek, The Atlantic, and many others. He has received fellowships from Yaddo, Artists Resource Trust, and the Polaroid Collection.

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