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Gregory Crewdson
Dream House
Gregory Crewdson

Gregory Crewdson. Untitled, 2002 © Gregory Crewdson
Crewdson’s 2002 project, Dream House peers into the unseen psychological dramas of domestic American life.
Focused largely on elaborately staged scenes of home interiors, the twelve images from this portfolio represent frozen moments filled with clues and gestures that suggest underlying narrative sequences that bend ideas of family life into surrealist fantasy.
In Dream House, Crewdson nods to the significant influence of cinema over his work by employing actors such as Philip Seymour Hoffman, Tilda Swinton, Gwyneth Paltrow, Julianne Moore and William H. Macy to stand in as subjects to perform Crewdson’s melodramas in still form. In doing so, Crewdson's work emphasizes the power of still narrative in relationship to stories told through time, and demonstrates that photographic storytelling can exist as equal in stature to box office films.
Selected Works
Gregory Crewdson
Untitled, 2002
10 ETH
Gregory Crewdson
Untitled, 2002
14.376 ETH
Gregory Crewdson
Untitled, 2002
8 ETH
Gregory Crewdson
Untitled, 2002
8 ETH
Gregory Crewdson
Untitled, 2002
8 ETH
Full Collection
Artist
Gregory Crewdson
1962 (USA)
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Gregory Crewdson is an artist based in New York.
He is a graduate of SUNY Purchase and the Yale University School of Art, where he is now director of graduate studies in photography. In a career spanning more than three decades, he has produced a succession of widely acclaimed bodies of work, from Natural Wonder (1992–97) to Cathedral of the Pines (2013–14). Beneath the Roses (2003–08), a series of pictures that took nearly ten years to complete—and which employed a crew of more than one hundred people—was the subject of the 2012 feature documentary Gregory Crewdson: Brief Encounters, by Ben Shapiro.
Gregory Crewdson’s photographs have entered the American visual lexicon, taking their place alongside the paintings of Edward Hopper and the films of Alfred Hitchcock and David Lynch as indelible evocations of a silent psychological interzone between the everyday and the uncanny. Often working with a large team, Crewdson typically plans each image with meticulous attention to detail, orchestrating light, color, and production design to conjure dreamlike scenes infused with mystery and suspense. While the small-town settings of many of Crewdson’s images are broadly familiar, he is careful to avoid signifiers of identifiable sites and moments, establishing a world outside time.
Press + Articles
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Discover Gregory Crewdson's New Surreal Photographs
Time Magazine (article)
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